When I published the offer here on the blog concerning reviewing folks books, one of the hits I got was from a man named Walter Shuler. He also followed me on Twitter and has been a nice addition to my stream. You can find him there as @anakronistical. I had such a backlog of so many stories that it has taken me some time to get near the bottom. (If you sent me your book, and it hasn’t been reviewed yet, fear not, I haven’t forgotten.)

So on to the review.

Synopsis:  The city of Celadon is ancient. Some say the city has always stood and will remain until the end of days. Venture into a new world in three fantastical tales. The Clockwork Men tells the story of Haem, Lord Northwarden and the alchemist Mikael Thorne, while Behind the Red Door is the story of a common thief and the score of a lifetime. Beneath the Stone is a tale of murder within Celadon’s royal family and dark secrets uncovered from the past. (Stolen from Amazon.com)

Setting: The stories (plural) in this book all take place in the land of Celadonian. As far as physical features, the land appears much the same as the world we know. However, magic is in abundance and there is a fusion of magic and machines that treads on the dark side.

Plot: The three stories that make up Blood and Brass are seemingly unrelated and have substantially different plot threads. They all feel like they are perhaps setting us up for a larger work that will flesh all three of these story lines out and perhaps bring them together a bit more.

Characters: While each of the stories included in Blood and Brass is truly a short story (the book weighs in at about 50 portrait pages in my ereader) the characters are where this book shines. There truly isn’t enough time to “get to know” each character as well as you might like, but the characters have a simplistic likability about them that draws in the reader and makes the pages turn much faster than you might have noticed.

Odin’s recommendation: I really enjoyed Blood and Brass. There are steampunk elements in it for those that enjoy this relatively new genre, but really, it is more of a traditional fantasy with magic making the mechanics work rather than steam. I would truly enjoy reading a much larger book where these opening scenes were winnowed down a bit perhaps, and introduced as to many many pages of adventure. However, at 99¢, you can’t complain about the price and you’ll definitely be getting your money’s worth.

As an aside, you may have noticed I usually don’t link to sites where you can purchase the books from in the reviews. However, if you look to the right, you’ll see a carousel of the books I’ve most recently reviewed. If you click on one of them it will take you to the Amazon page where that product is sold. I’ve done this for two reasons. One, Amazon may not be the only place the book is sold, but most authors are now using Amazon so I can reliably assume that the book is sold there. Secondly, any clicks you make from the carousel (and better yet, purchases) helps me as an Amazon affiliate. However, please, don’t worry about buying from Amazon if you prefer another vendor, just buy the books!

So, what happens when you go on your initial impressions of a cover and the fact that the  story is listed under Podiobooks “Staff Picks”? You’re about to find out.

So, on to the review.

Synopsis: In a future where the government mandates the spiritual beliefs of its citizens, only a few rebellious “Seekers of Truth” remain to free the world from deception.

On his quest for meaning, Merikk follows a path that leads him across our world, and into another. Against his will he is thrown into action alongside members of the Underground Liberation, standing face to face against forces human, alien and demonic. Science fiction and the supernatural collide in a genre-bending adventure! Open your mind and then brace for impact as you discover the power of the Spirit Blade!  (Stolen from Podiobooks.com)

Production: The production of Spirit Blade is quite good. The sound is layered to good affect. Between the pretty much constant soundtrack, the sound effects and the audio tract your ears won’t be bored. Even better? They actually add to (and don’t get in the way of) the story. Spirit Blade is billed as an enhanced audiobook, and I can go with that.

Grade: A

Cast: The author, Peter Frandsen, does Spirit Blade as a self read. He does an excellent job with just the right amount of personality and voice acting thrown into the mix to keep all the characters separate and interesting. I suspect Mr. Frandsen has a background in either audio or acting. Perhaps both.

Grade: A

Story: Spirit Blade is a fantasy. A religious fantasy. I admit, I’ve always enjoyed stories based on religious mythos. I’ve read and listened to many stories based on Greek, Roman, Norse, Indian, Native American and numerous others. Surprisingly, one of the mythos explored the least is Christian. Spirit Blade is precisely exactly that. The world has changed. The Bible has been outlawed, and surprisingly this has worked (okay, yeah.. it’s a fantasy) making the story, in a nutshell, a quest for a complete Bible.

Grade: B-

Verdict: When stories are written based on Christian mythology, many Christians seem to become easily irritated or over obsequious. As I do subscribe to the Christian belief system myself, I find this interesting. Especially since I find myself in about the reverse opinion on most of these stories. Take Dan Brown’s stuff. I don’t like it, but not because of the subject matter. I just don’t find them to be well written or interesting. However, you take something like Frank Peretti’s stuff and Christian bookstores can’t stock their shelves quickly enough. Why does this surprise me? Because most of the latter author’s are taking at least as many liberties with the core teachings as the former. The only difference is they’re doing it in a complimentary fashion. I like to call it Christian magic.

So, anyway, back to the story at hand. Spirit Blade is definitely full of Christian magic. It is also full of rather straightforward preaching of the Christian Gospel. If either of these things bother you, steer clear. However, if you don’t mind this type of story, you could do much worse than Spirit Blade.

Disclosure: I don’t follow Mr. Frandsen on Twitter. I had never heard his name before subscribing to this podiobook. Nothing was offered in return for this review, so obviously nothing could have been accepted.

Subscribers to this blog might find the name Mike Bennett familiar. I would hope so anyway, because it was only two weeks ago that I reviewed Mr. Bennett’s superlative vampire novel (or at least part one of it) Underwood and Flinch. That story was so good, and so fun, that I decided to check out Mr. Bennett’s only other long form audio project out. Mr. Bennett has been podcasting for some time. As you can see from above, he started this podcast way back in the early days of podcast fiction. How does the story hold up?

So, on to the review.

Synopsis: “One Among The Sleepless” is a contemporary fiction novel set in Brighton, England about sex, death and noisy neighbors: a thriller with a rich vein of dark humor that flows from both the narrative and the dialogue of the characters. It’s a largely character-driven story; the people and their various shifting relationships compel the plot forward through sometimes subtle, sometimes brutal plot twists towards the final, nail-gnawing climax. (Stolen from Podiobooks.com)

Production: While not as slick as Underwood and Flinch, Mr. Bennett again does quite a commendable job with One Among the Sleepless. All audio levels are pretty much stationary and the listener is able to get hooked on the rhythm of the voice work (more below). It seems Mr. Bennett doesn’t really know how to write a short book, and One Among the Sleepless clocks in at over 30 large eps. The production isn’t perfect. Occasionally, Mr. Bennett will repeat a line (this happens rarely, but it was noticed at least once). Of more irksome notice was the stereo balancing in the last episode especially. I quite often listen to podcasts at home using a single earbud. This allows me to listen to not safe for children content while still be an attentive parent. In the last episode, Mr. Bennett added panning to the mix and effectively limited me to half of several conversations before I figured out what was going on. Also, there was a small lack of consistency. Sometimes there was a TSSF, sometimes there wasn’t. Sometimes there was an excess of metadata after the story, sometimes it simply ended. These things did throw me from time to time.

Grade: B

Cast: Mr. Bennett is an amazing voice actor. He’s so good in fact I’ve wondered on more than one occasion if he ends up doing voices around the house or gets into “narrator voice” at the day job. I can’t imagine how he couldn’t, he seems to have so much fun being “on”.

That doesn’t mean he does every voice perfectly. In fact, there are a threesome of guys in this book that sound like British dopplegangers of Beevis and Butthead. Yeah, I could have done without that, but really, that isn’t much to complain about, and really is just my own personal preference.

Grade: A

Story: One Among the Sleepless is one of those stories, like Love Actually (which I adored) or Crash (which I detested) that have a series of separate story threads going on that you have no idea how they’ll play together, and yet somehow by the end, they weave a single seamless story.

In One Among the Sleepless, Mr. Bennett follows several characters around and you’re never really sure who the story is really about. By the end, all I can say is, I was glad the ones that made it out alive, did. And no, I don’t count that as a spoiler.

Grade: B+

Verdict: One Among the Sleepless might quite possibly be the most adult oriented podcast I’ve ever listened to. The content and language are very much at the upper end of what I’ll put up with for the sake of a good story. I did enjoy One Among the Sleepless, and I will recommend it to those of you that aren’t easily offended by adult content. As I listened to this podcast it struck me how very like a screenplay this story was. There are threads that, while complete, didn’t get woven into the final tapestry as tightly as I would have liked, and we’re still unclear of the motivations behind one of the major characters. This is forgivable though in the context in which it was presented.

Disclosure: Nothing has really changed in the two weeks since I last wrote about Mr. Bennett’s and my relationship. It is still nonexistent. The check must still be in the mail. Nothing was offered or accepted in return for this review.

I saw the cover of Wolfsangel in September of 2011. I heard Lou Anders synopsis at the same time. I have wanted to read it ever since. I have made myself read things in order that I have received/purchased them because, well, because I’m an idiot, but I kept holding onto the day when I could jump into this story of Viking mythology. If you haven’t noticed, I have an affinity towards Norse mythology and my one fear is Wolfsangel wouldn’t live up to my expectations.

So on to the review.

Synopsis:  The Viking king Authun leads his men on a raid against an Anglo-Saxon village. Men and women are killed indiscriminately, but Authun demands that no child be touched. He is acting on prophecy—a prophecy that tells him that the Saxons have stolen a child from the gods. If Authun, in turn, takes the child and raises him as an heir, the child will lead his people to glory.

But Authun discovers not one child, but twin baby boys. After ensuring that his faithful warriors, witnesses to what has happened, die during the raid, Authun takes the children and their mother home, back to the witches who live on the troll wall. And he places his destiny in their hands.

So begins a stunning multivolume fantasy epic that will take a werewolf from his beginnings as the heir to a brutal Viking king down through the ages. It is a journey that will see him hunt for his lost love through centuries and lives, and see the endless battle between the wolf, Odin, and Loki, the eternal trickster, spill over into countless bloody conflicts from our history and our lives.

This is the myth of the werewolf as it has never been told before and marks the beginning of an extraordinary new fantasy series. (Stolen from PYR’s website)

Setting: The story takes place in Scandinavia (which should come as no surprise). The first half of the story is centered around a small Viking village. The second half takes us half way around Scandinavia and then back. Throughout the story the setting really just fits as a backdrop to the action. I can’ t say that I felt any particular part came through more strongly than another. However, the tapestry Mr. Lachlan wove out of this frigid land was bleak, pale and desolate, which fit the story perfectly.

Plot: The boys mentioned in the synopsis grow up as boys tend to do. As the synopsis also states, he has become a plaything of powers that might not take his personal interests into account. For the sake of love, both boys are willing to sacrifice all they hold dear. The question is, what do they hold the most dear, and which will give the most?

Characters: Most of the characters in Wolfsangel are rather two-dimensional in many aspects. Mr. Lachlan might tell you how each is feeling at any given point in the story, but for the most part (with the exception of the last quarter of the book) none of the characters emoted at a level that really came through to the reader (at least not to me) beyond a superficial level. This isn’t meant as a negative, just an explanation of Mr. Lachlan’s writing style for this particular  book.

Odin’s recommendation: I simply cannot recommend Wolfsangel highly enough. This story reads like a myth imbued with a new life. Wolfsangel reads like a story told around a campfire whilst you sit at your grandfather’s knee. There isn’t a lot of dialogue, but the story moves along at a good clip and readers will definitely be wanting to turn pages long after they should have turned out the lights. I had heard from several sources that Wolfsangel was brutal in its depiction of violence. Maybe I have read too many of the Norse myths, or perhaps my sources simply are a bit more squeamish than myself, but I did not find the violence excessive. The story was told as it needed to be told. At 383 trade paperback pages, Wolfsangel is far from a small book. However, I devoured Wolfsangel more quickly than I would have preferred with the only saving grace being that I all ready have the sequel waiting on my nightstand. Alas, I have at least 4 books on top of it.

With my expectations set high, Wolfsangel still did not disappoint. I intend to read this story over again and highly recommend it to anyone that has a love of Vikings or Viking lore. I rank this book the best of 2012 to date, and am confident it will remain in the top 5.

When I first started listening to podiofiction, my listening appetites were quite voracious. I listened to a bunch of stuff. Good stuff. Bad stuff. Stuff we will not talk about. Ever. One of the things I listened to (and reviewed back in podcast review 44) was Seth Harwood’s Jack Wakes Up, and I counted it as one of the good ones. While I wasn’t as thrilled with the sequel’s I enjoyed it enough that when I heard Mr. Harwood had recently completed a new podcast novel, I decided to give it a listen.

So, on to the review.

Synopsis: FBI Agent Jess Harding always gets her man… or woman.

In this thriller, Harding returns to the scene of her first years as an FBI agent to track the still-at-large killer from her first case. Back in 2006, as a young, inexperienced agent, Harding chased leads across Alaska for a full summer without catching up with this killer. Now, after 5 years of honing her skills, she’s back and ready to try again.

But when she starts to see that the killer knows a little something about her, the heat turns up and Harding realizes she may not be the only one getting chased. (Stolen from Podiobooks.com)

Production: As I mentioned in the intro, it has been a long time since I listened to Mr. Harwood’s first novel. In the years since, I don’t know if I’ve become more picky or if Mr. Harwood’s production quality has suffered. Regardless, I did have a few issues with the production quality of In Broad Daylight. There are multiple examples of atmospheric noises making there way into the background of the audio. You will also notice the static. When it disappears. What I mean is, in almost every podcast there is some amount of “static” in the background. Noise we automatically filter out because it is consistent. The only issue is when it isn’t consistent. When someone creates a gap in the editing process and creates a true silence, the static becomes much more noticeable. This happens often in In Broad Daylight. Also, while not overly abundant, the listener will also notice a few repeated lines. Finally, while I won’t count off for this, it has been quite a while since anyone has included a “The Story So Far” in any story I’ve listened to. I have not missed this. At all.

Grade: C-

Cast: Mr. Harwood reads In Broad Daylight as a self read. He does a fine job. Some listeners might feel Mr. Harwood is a bit enthusiastic in his reading, but I feel it adds to the story. If an author can’t get excited about his characters, who can?

Grade: B+

Story: Mr. Harwood writes crime stories. I could easily see Jess Harding as a female Alex Cross. The story is set in Alaska and San Francisco. Whether Mr. Harwood has visited Alaska or not, he does make the reader feel like his descriptions are genuine. The characters all have flaws. Most are believable. I won’t say I like all the characters, but that is fine as long as they live and breath. For the most part, the characters in In Broad Daylight, do just that.

Grade: B+

Verdict: The story wasn’t perfect and definitely felt like a beta version. However, even as a beta, In Broad Daylight, should give any crime action junkie a good fix. In Broad Daylight proceeds at a good pace and was able to hold my attention the entire distance. I anticipate more Jess Harding stories, and if they are as good as this one, I think Mr. Harwood will continue to build his fan base.

Disclosure: I’ve never met or tweeted with Mr. Harwood. I do not follow him and he doesn’t follow me. I wasn’t offered anything in return for this interview.

I have always loved the stories where an individual decides to become a superhero through force of will rather than because he or she was imbued with super human abilities. Heroes like The Shadow, Batman or Decodre Ring Theatre’s The Red Panda, always seemed a little bit more interesting, more visceral than their super powered comrades. When I read the synopsis for George Mann’s Ghosts of Manhattan I was intrigued. Throw in the steampunk element, and I was sold.

So on to the review.

Synopsis: 1926. New York. The Roaring Twenties. Jazz. Flappers. Prohibition. Coal-powered cars. A cold war with a British Empire that still covers half of the globe. Yet things have developed differently to established history. America is in the midst of a cold war with a British Empire that has only just buried Queen Victoria, her life artificially preserved to the age of 107. Coal-powered cars roar along roads thick with pedestrians, biplanes take off from standing with primitive rocket boosters, and monsters lurk behind closed doors and around every corner. This is a time in need of heroes. It is a time for The Ghost. A series of targeted murders are occurring all over the city, the victims found with ancient Roman coins placed on their eyelids after death. The trail appears to lead to a group of Italian American gangsters and their boss, who the mobsters have dubbed “The Roman.” However, as The Ghost soon discovers, there is more to The Roman than at first appears, and more bizarre happenings that he soon links to the man, including moss-golems posing as mobsters and a plot to bring an ancient pagan god into the physical world in a cavern beneath the city. As The Ghost draws nearer to The Roman and the center of his dangerous web, he must battle with foes both physical and supernatural and call on help from the most unexpected of quarters if he is to stop The Roman and halt the imminent destruction of the city. (Stolen from PYR’s website)

Setting: As the synopsis states, Ghosts of Manhattan takes place in 1920′s New York City. Truthfully, I can’t say that the NYC of the book felt like the NYC many of us know through television or movies. Perhaps this is because of the steampunk/alternate reality premise of the story, or perhaps it was simply because Ghosts of Manhattan didn’t really rely on the setting being unique. Truthfully, I believe that this story could have worked being set in any metropolitan area. Of more concern to me was the steampunk elements. This story really, in my opinion, had no need to take place in a world of steam. The elements that made it so were not numerous or important to the storyline. In fact, they felt like add-ons to me rather than necessary pieces of the larger picture. While this didn’t help the story along in my opinion, it wasn’t overly distracting either.

Plot: As stated in the synopsis, The Ghost has encountered a bizarre series of murders linked to a mysterious mob boss. The Roman makes his presence known early on and though he is not encountered until the end of the book, he is the antagonist driving the story along. I do believe there is at least one plot whole revolving around a certain characters blood containing at least one arcane ability that was never explained to my satisfaction.

Characters: The Ghost revolves around a character that thinks of himself first and foremost as The Ghost and only secondarily as the person that he goes by when he is not crusading. There isn’t a lot that can be said of this character without crossing the line into spoilers, which I am loathe to do. When both sides of the identity were revealed, it was no surprise. In fact, I would have been surprised if it had been any other.

Both of the other main supporting characters rang very true and while all characters were a bit two dimensional, I felt that this was done intentionally to provide the feel the author was after. Regardless, this is the result I felt he achieved.

Odin’s recommendation: While I really would have preferred this story to have taken place in our more mundane world, I really enjoyed Ghosts of Manhattan and I do believe that if you enjoy stories like stories like those I mentioned above, you will too. With Ghosts of Manhattan, Mr. Mann has created a world that deserves to be visited again, and I am very glad there is a sequel, which I will be starting soon.

Back in October of 2009, before I began reviewing podcast fiction, I had stumbled upon Mike Bennet’s Hall of Mirrors Podcast. Hall of Mirrors is similar to one of the old time television horror magazines. It much reminded me of Night Gallery (for those of you that remember that far back). I enjoyed most of the few eps I had a chance to listen to, but with the beginning of these reviews, I found I had little time to listen to anything that wasn’t a novel, so Hall of Mirrors fell off my listen to list. Recently I discovered Mr. Bennet had been working on a vampire novel and part one was complete.

So, on to the review.

Synopsis: All David Flinch ever wanted was a normal life.

But when you’re a member of the Flinch family, normal has never been easy.

For hundreds of years, the eldest male Flinch has been servant and guardian to the Lord Underwood. While the Flinches have changed through the generations, Underwood, a vampire, has been eternal. David had hoped to be spared the horror of serving his family’s lord and master, but when he is summoned to the Flinch home in Spain by his dying older brother, he knows his luck has run out. Underwood must be resurrected from the grave in a ritual of human sacrifice, and David must be the man to do it. Because if he doesn’t, an even greater evil than Underwood will rise: the evil that is David’s sister.

Underwood and Flinch is an epic horror-thriller that spans the centuries. From the teeming slums of 17th Century London to an ex-pat community in modern-day Spain, this is the new novel from Mike Bennett, author of ‘One Among the Sleepless’ and ‘Hall of Mirrors’. (Stolen from Podiobooks.com)

Production: Mr. Bennet does a fine job with the production of Underwood and Flinch. There isn’t any atmospheric noises to jar the listener out of the story. There is also no use of sound affects other than the occasional bit of music which I found to add atmosphere and authenticity. Overall, I enjoyed the production very much.

Grade: A-

Cast: Mr. Bennet does Underwood and Flinch as a self read, and he does it very well. His grandiose, at times, over the top narration is perfect for the story he is telling. This is one of those cases where I truly believe there is no one that could read the story like the author. You truly get the feeling this is what it sounded like in his own head when he wrote it.

Grade: A+

Story: Underwood and Flinch is a vampire story. A vampire story built on the mythos of Dracula and other vampire stories from my youth. You know the kind. The vampire is unrepentant of his need for blood. He is not good, or gentle, or sparkly. He eats people. He takes what he wants. It is also the story of David Flinch. His caretaker. This is the sympathetic character and he does a good job even if he wallows a bit in his own pain.

Grade: A

Verdict: Once again I find myself the victim of not reading closely enough. Underwood and Flinch is “in progress”. When I first subscribed, I just assumed it was complete as it hadn’t been updated for a couple of weeks and had 40 episodes. Rather long episodes at times. I wish it had been complete because I greatly enjoyed it and want to know how the story ends. However, the first season (or part) is complete and tells the tale of David Flinch and his familial obligation to serve the Lord Underwood and help in his resurrection after a long dormant hibernation. One thing I truly liked about this story is that it truly DID end some elements of the story by the end of season one. This has become a pet peeve of mine lately. If a podcast is going to claim “seasons” then it has the right to leave storylines open, and even to cliffhanger me. However, I truly believe that it must end some elements of the story rather than just “quit”. Mike Bennet made sure Underwood and Flinch ended season one at a natural point, but it will definitely leave you wanting more.

Disclosure: I”ve never met or tweeted with Mr. Bennet. I don’t even know if he’s on Twitter (though I remember hearing something about that on the podcast). I was offered nothing in return for this review.

I’ve been a fan of Starla Huchton since l listened (and reviewed) her novel, The Dreamer’s Thread. In August of this year, I learned through Twitter that Ms. Huchton had been providing voice work for a book called The Emperor’s Edge. I immediately ran over to iTunes to see if it was there, and it was. 22 episodes later, I share with you my thoughts.

So, on to the review.

Synopsis: Imperial law enforcer Amaranthe Lokdon is good at her job: she can deter thieves and pacify thugs, if not with a blade, then by toppling an eight-foot pile of coffee canisters onto their heads.

But when ravaged bodies show up on the waterfront, an arson covers up human sacrifices, and a powerful business coalition plots to kill the emperor, she feels a tad overwhelmed.

Worse, Sicarius, the empire’s most notorious assassin, is in town. He’s tied in with the chaos somehow, but Amaranthe would be a fool to cross his path. Unfortunately, her superiors order her to hunt him down.

Either they have an unprecedented belief in her skills… or someone wants her dead.
(Stolen from Podiobooks.com)

Production: The Emperor’s Edge is produced by Darkfire Productions. I have done no research at all on this organization and have no idea if it is comprised of a single 12 year sitting in his mothers basement or if it is comprised of a dozen highly paid audio professionals sitting in an ivory tower. Although, if I were to hazard a guess, I’d say it is more likely more closely related to the former than the latter. Regardless, Darkfire does a great job. A seriously great job. I will admit that when I carefully listen to the background, there is more than whitenoise is some places. I don’t know if this is due to atmospheric noises captured during recording or something else.

Grade: A-

Cast: As noted previously, this book was brought to my attention by the discovery of Ms. Huchton’s involvement. As I previously stated, I believe this be a very good thing. Ms. Huchton again does a stellar job with a single read. I am quite impressed with the reading of this story and I believe Ms. Huchton could do well with most material she is provided with.

Grade: A

Story: The Emperor’s Edge doesn’t claim to be steampunk. In fact it claims to be high fantasy in a world of steam. I can understand the High Fantasy part, it is the steam part that confuses me. Don’t get me wrong, This fantasy is a well done take on many of the traditional concepts with the addition of certain “steampunkish” elements. This story just doesn’t seem like it needs the steam

Grade: A-

Verdict: I enjoyed The Emperor’s Edge. Immensley. I intend to track down more of Ms. Buroker’s works. This story engaged me with humor, intelligence and action. I do believe that if you give it a chance, you’ll be craving more too.

Disclosure: I’ve never met Ms. Buroker. I’ve never even heard of her before giving this podcast a listen. I was offered nothing in return for this review.

Now, before you turn away, knowing you’ve heard it all before, let me simply state, you have. You know that many of the authors releasing their books through podiobooks.com or through their own sites are aspiring to be published by large houses and are releasing their works as a way to become noticed and gain a following. You also know that many  of them release electronic versions of these same books through Amazon or Smashwords. Some of you, many of you, buy. I know the authors appreciate your purchasing any books they have self published.

Recently, many authors have decided that self publishing is more than the just “sloppy seconds” to be satisfied with while waiting for a publisher. With this realization, more effort is being put into creating e-books and paperbacks. I’ve seen fund raising efforts for covers and other printing costs. I’m happy to say  that  personally, I’ve yet to see one go unfunded.

As we near the holiday season (Merry Christmas!), if you have a bit extra, I encourage you to purchase a book, in whatever format, from your favorite podcasting author. Alternatively, you can donate through podiobooks.com, where as I’m sure you’ve heard, at least 70% of every donation goes straight to the authors or even go directly to the authors site and look for a tip jar (Decoder Ring Theatre accepts donations in this way).

Finally, I bring to your attention an author that I greatly enjoy that is currently raising funds for a project that I am greatly excited about. John Mierau is currently crowd funding Enemy Lines.  A book I greatly enjoyed and reviewed in the podcast reviews section of this blog. As an added bonus, John isn’t simply asking for your cash, he is providing levels of buy in with commensurate  swag! John drew great amounts of attention with this first novel, but has been delivering short stories through his Serving Worlds feed for quite some time. He has continued to provide content that is worth hearing, and I encourage you, if you haven’t become familiar with his works yet to do so.

Once again, I wish you all the happiest of holidays and encourage you to leave a bit of green under the tree for your favorite podcast authors.

(Post Script: Of course, buy those large house books too. Did you see?  Books and Braun’s Phoenix Rising is on sale for your Kindle and Nook for only $0.99!)

I have no idea how long I’ve followed Mr. Keeling on Twitter (@synapticjam), but it has been quite a while. I don’t listen to every story that I know the author of. Not even close. However, I usually read the synopsis, and if the story looks like it might interest me, I’ll give it a try. Having a background in technology, and as a network administrator, Compensating Controls piqued my interest.

So, on to the review.

Synopsis: Nicholas Edgwood rides a wave of good karma–a job he excels at, a new girlfriend, and a bright future. When he gets framed for a cyber-crime he did not commit, he must run for his life while his entire world crumbles around him.

Betrayal and murder replace peace and hope as he finds himself in unfamiliar territory. He may not be the biggest and baddest guy out there, but he has skills, the kind garnered from a career steeped in computers and code. Now he must leverage these skills to their fullest to stay above ground and breathing. It will take all of his talent, and courage he may not have, just to survive. (Stolen from Podiobooks.com)

Production: I subscribed to Compensating Controls through Mr. Keeling’s own site. I do this quite often because I am not a patient person, and when an author posts to their own site, it often goes up more quickly. That being said, I know that when I subscribe through an author’s site, I might get a bit of chatter or other things that I might or might not want. This is definitely true with Mr. Keeling’s site. I didn’t mind the chatter, but it is definitely there.

Of much more notice is the change around episode seven or eight where Mr. Keeling begins using sound effects to a much greater extent. Truthfully, I don’t remember them at all before Pons makes .. well, that would be a spoiler, but when you hear what I’m talking about, believe me you’ll know. I would recommend all authors try to decide whether they will be using sound effects or not before they begin a podcast. I appreciate consistency.

That being said, Mr. Keeling does a nice job of constructing his episodes, and overall I think most listeners would feel the soundtrack enhanced the story.

*possible spoiler – However, there are several scenes of brutality that I really could have done with fewer effects.

Grade: B-

Cast: Compensating Controls is done as a self read, and Mr. Keeling does a decent job with it. All of the characters were given unique voices and characteristics and Mr. Keeling did a good job in keeping each one unique.

Grade: B+

Story: Compensating Controls is a geek story written for an audience needing a minimal (to no) geek background. The characters were pretty believable and the plot, well, I’m afraid things like this happen much to often. And no, I’m not a conspiracy theorist.

Grade: B

Verdict: I enjoyed Compensating Controls. I think Mr. Keeling did an excellent job for his first podcast and, I believe, first novel. Would a solid external editor improve it? Of course. Will you receive many hours of enjoyable entertainment the way it is? I did.

Disclosure: As I mentioned previously, I do following Mr. Keeling on Twitter and count him one of the “good guys” out there. However, I was not paid, bribed, or prodded to provide this review.